ABOUT NEW CONTRAST
Mission and Aims
New Contrast is devoted to publishing the best of poetry and prose, art, reviews and interviews from both local and international authors.
When Contrast was established in 1960, Jack Cope as Editor announced that it might be considered an impertinence to start a literary magazine at that time, but asserted that if it were to survive, it would have to succeed on its own merits. 2000 copies of the first issue were printed. Contrast was published by the South African Literary Journal (Pty) Ltd, a situation which is still in place after 53 years, although modified by changes to South African company law. Cope edited the magazine for the next twenty years on a non-paid basis, and the magazine attracted sufficient support from enough people (and donors) to stay afloat through some difficult times. It developed a healthy reputation and launched the careers of many of South Africa's most notable writers. It also attracted criticism from some who felt that it was too Cape based. By 1970, the number of magazines printed was down to about 1000 copies an issue. Geoff Haresnape took over from Jack at the end of 1980 when Jack went to England. Geoff continued the magazine and in turn handed over to Douglas Reid Skinner in 1989, when Contrast was re-launched as New Contrast following the merging of Contrast and UpStream. New technologies were brought into play to keep costs down, and for a number of issues, New Contrast also published a compact called The South African Literary Review. When Douglas resigned on his departure to England in 1992, there was a shift in the way New Contrast was run, with multiple editors, editorial collectives, and other ways of running the magazine being put in place. Michael King was appointed sole Editor in 1996 and he ran it for four years before stepping aside to run the business side of New Contrast.
Read more:Introductory notes by Jack Cope in Contrast № 1
Notes by Michael King in New Contrast № 100
The first five years of the 21st century were unsettled times for New Contrast. A number of people stepped forward to edit the magazine and then found other pressures preventing them from settling into the role. Small editorial teams developed which managed to spread the load a bit, but they also dispersed the focus of the magazine. This practice did however mean that a much wider number of people made their contributions to the magazine. However, there was a loss in momentum and the magazine suffered financially. Subscriptions dropped to about 150 per year, which was hardly viable. When Hugh Hodge was appointed in 2007, large scale fundraising was successful in restoring some calm, and with it came an increase in subscriptions as well. By 2011, there were over 320 paid up annual subscriptions. For the first time in its history, we were able to pay the Editor and Business Manager a small stipend. With the sad death in 2011 of Stephen Watson, our chief fundraiser (amongst other roles), the flow of donations stopped, and the small payments which were being made to the Editor and the Business Manager came to an end. At present, no payments are made to the Editor or the Business Manager, and so the financial crisis we had faced has been averted. The small scale of the subscription revenue will most likely prevent any future remuneration being considered, and as with most small literary magazines, the editing and management of New Contrast is likely to remain a voluntary effort.
Michèle Betty is the poetry editor of New Contrast: The South African Literary Journal and the founder of Dryad Press (Pty) Ltd, an independent poetry press dedicated to the promotion and publication of poetry in South Africa. She has a BA LLB from the University of the Witwatersrand in Johannesburg and an MA in Creative Writing from the University of Cape Town. Her poems have appeared in journals both in South Africa and abroad and have anthologised in The Live Canon International Poetry Competition Anthology, The Sol Plaatjie European Union Anthology and most recently in The New Century of South African Poetry (Jonathan Ball, 2018). Her debut collection Metaphysical Balm was published in March 2017 and was shortlisted for the 2018 Ingrid Jonker Prize.
1960 – 1980 Jack Cope
1980 – 1989 Geoff Haresnape
1989 – 1992 Douglas Skinner
1992 – 1994 Editoral Collective variously including: Francis Faller, Gus Ferguson, Jeremy Gordin, Daniel Hugo, Michael King, Mike Nicol, Gill Gallimore, Ingrid de Kock, Mtiutuzeli Matshoba, Di Paice, and Stephen Watson
1995 Evan Aupiais, Damon Galgut, and Daniel Hugo
1996 – 1999 Michael King
1999 – 2000 Arthur Attwell, Megan Hall, and Kim McClenaghan
2000 – 2002 Kim McClenaghan, Greg Cahl, and Michael King
2002 Stephen Watson, Greg Cahl, Jane Commin, Ron Irwin, and Tom Eaton
2003 – 2004 Jane Commin, Tom Eaton, Ron Irwin, and Sarah Johnson
2004 P R Anderson, Tom Eaton, and Sarah Johnson
2004 – 2005 Tom Eaton
2005 – 2006 Roy Robbins
2007 – 2011 Hugh Hodge
2012 – 2015 Michael King
2016 – 2016 Meg Vandermerwe
2017 – present Michèle Betty
Contrast was published by the South African Literary Journal, a proprietary company limited by Guarantee. New Contrast was set up In 1989, and was also published by the SALJ. Following the 2008 Companies Act, the South African Literary Journal was set up as a Not for Profit Company without Members. At present, there are four directors; Keith Gottschalk (Chair), Wamuwi Mboa, Colleen Higgs, Archie Swanson.
New Contrast can be bought from the following bookstores:
Clarke's Books, 119 Long Street, Cape Town
The Book Lounge, 71 Roeland Street, Cape Town
Kalk Bay Books, 124 Main Road, Kalk Bay
Love Books, The Bamboo Lifestyle Centre, 53 Rustenburg Road, Melville, Johannesburg
Blank Books, Woodstock
Exclusive Books, Cavendish
Exclusive Books, Stellenbosch
Protea Bookstores, nationally
Current and back issues can also be purchased direct from the Editor/Business Manager, who can be contacted on the addresses listed on the contact page.